Wednesday, September 16, 2009

Champion: a music formula that works (for me)

The band: Champion; the sound: DJ Champion, aka Maxime Morin. The guitarists: the G Strings. Singers: Betty Bonifassi originally, now Pierre-Philippe (Pilou) Côté. Formula: Base of electronic beats; generous handfuls of hard rocking guitars x 5; interesting singers with straight up blue inspired lyrics. I've only been clubbing in Montreal a few times, but from what I recall from a great night at Fou Founes Electriques, Champion personify all that is cool in the Montreal music scene.

The first time I heard and saw Champion was on TV as
they closed the Juno awards back in 2007, and right away I was hooked.

Their 2004 debut album,
Chill ‘Em All, won a 2005 Felix Award for Album of the Year in the electronictechno category. Chill ‘Em All went Gold and The Remix Album was nominated for a JUNO for Dance Recording of the Year in '07. They also released a DVD called Champion at ses G Strings that perfectly shows the energy of their lives shows, especially playing in hometown Montreal at Metropolis.

They released the second album Resistance yesterday. I had a quick listen at home last night, but it wasn't until I got a chance to listen to the album properly today with headphones that I can now say I like it. It don't think it's as strong as
Chill 'em all and the upbeat tracks are definitely closer to the rock curve. I'm not big on lyrics, and some may find the lyrics somewhat repetitive, but they work well for me as sing-a-long words for the driving, thumping electro-rock sounds. There are a few interesting tracks that explore more electronica and trance themes, with Champion's signature instrumental layering and building of electronic intros and groundwork with guitar riff crescendos and intricate rhythm patterns.I saw Champion at Lee's Palace a couple of years ago and it still remains one of my favourite concerts of all time. Unfortunately I attended solo and there's no photos or video. On a trip out to BC days after the show, my skills of persuasion failed when I couldn't sell my friends on the idea of going to see their Vancouver show. I think one of my Quebec work colleagues has seen Champion perform live (as they do a lot more shows in Quebec) but I don't know anyone else that has seen their fantastic shows in the past. But quiet a few of my friends have loved the music on the first listen ! I've waited a couple of years to see them again, and was over the moon when I found out they were going to play a free concert at Yonge Dundas Square to open the Toronto International Film Festival.

I'm proud to say my 12 year old son is a big music fan (across rock, alternative and electronic music) and in combo of learning to play guitar, he's a fan of Champion just like his old man. So I took him to the concert on Thursday. We got there nice an early as I wanted to make sure we got a good spot so he could see and I could take photographs. We chatted with a few photographers and music fans, including Stranger #22 - Sherlon. With the exception of not playing one of my faves (The Plow), Champion delivered an awesome show. What makes Champion's compositions and performances unique is that while he's live mixing the electronic side of the equation he directing the guitarists with the intros and transitions with hand signals (as you can see in some of the photos on flickr). On the DVD he talks a lot about this technique and I'm still a little amazed at how he pulls this off and creates such a well "produced" sound. I'm not certain how many fans were present, but I'm sure there were plenty of new fans afterward. The free tent in the square was pretty packed and everyone quickly fell into step with Champion's mix of driving dance beats with hard rocking guitars. New male lead singer, Pilou added strong vocals and the special appearance of Canadian Opera diva Measha Brueggergosman topped off the evening perfectly.




A little clip of the YDS crowd showing how you just can't stop moving to the Champion sound ! ( I love the guy in suit and tie holding up his BB on the left at the beginning of the clip)



Playing their hit No Heaven as their encore (poor sound, but you get the idea)

So, for me, Max has created a fantastic formula for an alternative to the often sterile sounds of pure electronic music and the dime-a-dozen unimaginative rock bands who struggle to find that killer riff and a recognizable lead vocal sound. I think his mix of his laptop creation of electronic dance beats and intricate orchestrated guitar melodies, riffs and movements is pure genius.




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